1/9/13

New Snake Pit diary comic book by Ben Snakepit!


Guess we can let the cat out of the bag now that it’s official…
Birdcage Bottom Books will be publishing Ben Snakepit’s next comic diary collection (three years worth!), “Snake Pit Gets Old: Daily Diary Comics 2010-2012”. 
Release date is April 6th, 2013 (at the MoCCA Festival). We will be offering discounted pre-sales of the book along with limited edition goodies. Please sign up on our mailing list to receive the details as they are released. 


1/1/13

New year, new reviews!


A few new Digestate reviews:

Jason Das‘ glowing review on SuperVegan. Click here to read it!
Dan Murphy’s review on Juniperbug. Click here to read it!
Xaviar Xerexes review on Altertainment. Click here to read it!


12/17/12


Supervegan's stand-up fella Jason Das gives a glowing review of the Digestate anthology. He even manages to specifically mention a large portion of the 55 contributors (no small feat)! Read it here.

I should mention that if you are ever looking for a vegan/vegetarian or even just vegetarian-friendly restaurant in any of the five boroughs of NYC, SuperVegan has an invaluable searching tool. I've been using it for years, and it often turns me on to some great places I may not have found otherwise. 


12/16/12

Shout-out: Adam Hines

DIGESTATE CONTRIBUTOR:
ADAM HINES!

Portrait of The Artist as a Young Man

Adam Hines is the author of Duncan the Wonder Dog, a graphic novel series that is graciously published by AdHouse Books. He was born and raised in Illinois, and eats the same lunch every day.

Cover art for "Duncan The Wonder Dog"

Editor's note: Apparently Adam belongs to the James Kochalka School of Abbreviated Bio Blurb Writing as the above two sentences is all he gave me. So, allow me to expand a bit...

I remember Adam's book creating quite a buzz at the Small Press Expo a few years ago. The sheer heft of the book immediately caught my attention and looking inside I was immediately intrigued by the density and disparity of the artwork. Some pages featured lots of open space and simple clean lines while others had layer upon layer of collage, painting and drawing. Some characters were depicted with realism and others were cartoony, often on the same page. 


It wasn't until I brought the book home and started reading it that I realized that the content was right up my alley. Although the narrative veers away on tangents and subplots, the bulk of the story focuses on a world in which animals can communicate directly with humans. As could be expected, some animals react against the way they are often treated by humans by forming a terrorist group.


I won't pretend to understand much of what happens in this chapter (apparently this is the first book of a continuing narrative), but it was intriguing enough for me to finish the entire 400 pages in a couple of sittings. I liken Adam's work to William Faulkner or James Joyce in that it is often difficult to follow the story, but there are rewards in simply appreciating the beauty of the language (in Faulkner/Joyce's case) or interplay between art and language (in Hines' case). 


That said, it doesn't feel as if Hines' is attempting to be opaque or "show off", and there is plenty of humor inter dispersed throughout. I suspect he's just a naturally intelligent and prolific dude doing what he enjoys. I look forward to the next chapter of "Duncan the Wonder Dog"!






11/25/12

Cyber Monday Sale on comics & more (FREE SHIPPING)!


Birdcage Bottom Books is having a Cyber Monday sale now through midnight 11/26/12. FREE SHIPPING on orders over $15 (within the U.S.). Just use the coupon code: CYBERMONDAY12 at check out.

You can see more details here.

We're carrying lots of new comics in our shop from the likes of James Kochalka, Kevin Cannon, Josh Burggraf, Danny Hellman, Victor Kerlow & William Cardini as well as old classics from Ben Snakepit, J.T. Yost & Noah Van Sciver!

11/3/12

Another great review for Digestate!


Cameron Kunzelman reviews the Digestate anthology on This Cage Is Worms. Read it here!

I've gotta say that these reviews are making me really happy. Granted, there's only been three so far, but they've all been so overwhelmingly positive. It makes the hours and hours of work and the fact that I literally cashed in my change jar to help pay for shipping worth it.

Also, on a personal level, the response to my own comic has been better than I could've hoped. I really tried to learn from the criticism I received for the animal-welfare themed stories in my first book (on sale, btw!), and it looks like my current attempt has been very well received (so far all three reviewers have picked it out as their favorite of the 60 comics included!).

The criticism of my earlier work mostly centered on it being too didactic. This was an easy trap for me to fall into when discussing something that I'm so passionate about. I can attest that making your audience feel attacked is not usually an effective tool in bringing about a change of mind. In fact, one of my friends who credits me as the catalyst for becoming vegan (happy to report that he and his wife are raising two vegan kids) told me that it wasn't anything I told him verbally that caused him to change his diet but rather my cooking. It made him realize that vegan food was anything but tasteless or boring.

On this piece ("Slaughterhouse Stories") I tried to focus more on the human toll that is a result of high demand for inexpensive meat. My dad once asked me why I focus so much on animal suffering when there are so many humans suffering, and that has always stuck in my mind. I don't have an easy answer for his question, but I can say that I feel we have a responsibility to protect animals just as much as we do our fellow humans.

I should point out that the text in my comic is verbatim (although edited down into a more manageable length) from an actual slaughterhouse worker. At one time I was hoping to adapt Gail Eisnitz's excellent book "Slaughterhouse" into a graphic novel. I abandoned that project when I couldn't get a clear answer as to whether her publisher would allow me to publish my adaptation, but her story stuck in my mind. When putting together this food & eating themed anthology, I realized that I could make a shorter comic based on some of Gail's interviews with slaughterhouse workers.

She was kind enough to send me a (huge) stack of affidavits used to write her own book. There were so many horrific and compelling stories told in these interviews, that it was extremely difficult to pick just one (in fact, I hope to someday develop more of these transcripts, thus the pluralization of "Slaughterhouse Stories" in the title of my comic). Many of the interviews dealt with the cruelty animals suffered in multiple meat processing plants, but I sought out one that focused more on how the workers in these abattoirs suffered.

As one reviewer pointed out, I did try to avoid showing gore spattered hogs whenever possible (an impossible task, but I kept it to a minimum) in favor of being less explicit. My cartoony style of drawing is not ideal for horrific imagery anyway, but I also feel that the readers' imaginations would probably do a better job. We've all seen the undercover footage taken inside slaughterhouses by now, and there's no way I could compete with that.

Anyhow, I didn't intend to ramble on like that. I was just going to post the review link.

Oh, one last thing I should mention: Gail Eisnitz is the Chief Investigator at the Humane Farming Association. They try to affect change in the slaughterhouse industry through Congress and other means. Please support them in any way that you can!